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Orlando di Lasso-Gesamtausgabe

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Bibliography of the Sources

A precise knowledge of the works sources is an essential prerequisite for a critical complete edition. Therefore, parallel to this edition, printings and manuscripts with Lassus‘ music have been collected and listed in a bibliography.

A detailed description of the prints was developed by

Horst Leuchtmann and Bernhold Schmid, Orlando di Lasso. Seine Werke in zeitgenössischen Drucken 1555–1687, 3 volumes, Kassel etc. 2001.

More than 480 prints are each described in detail, their content is listed citing the reference in the complete edition, the provenance of the texts set to music by Lassus plus a comprehensive bibliography and more. Furthermore, the approximately 1360 works of Lassus are listed in a comprehensive directory including all references in the printed sources. At the same time, this bibliography serves as a catalogue of works, since about 1200 of Lassus’ compositions had been printed in his time; the approximately 160 compositions transmitted only as manuscripts can be found via directory. An excerpt of a review can be found here.

The almost unmanageable number of manuscript transmissions of Lassus’ œvre is documented in a Database linked to online accessible digitized reproductions wherever possible.  

Fig. right: The so-called ,Viersprachendruck‘ (four language printing) with Latin motets, German Lieder, French chansons and Italian madrigals (Bayer. Staatsbibliothek München, 4 Mus.pr. 133), title page and music, described in detail in Orlando di Lasso, Seine Werke in zeitgenössischen Drucken 1555-1687.

Other Publications by the Lasso-Gesamtausgabe

Orlando di Lasso in der Musikgeschichte. Bericht über das Symposion der Bayerischen Akademie der Wissenschaften München, 4.-6. Juli 1994, hrsg. von Bernhold Schmid. Bayer. Akademie der Wissenschaften, Phil.-hist. Kl., Abhandlungen, NF, Heft 111, München 1996. (PDF)

Die Münchner Hofkapelle des 16. Jahrhunderts im europäischen Kontext. Bericht über das internationale Symposion der Musikhistorischen Kommission der Bayerischen Akademie der Wissenschaften in Verbindung mit der Gesellschaft für Bayerische Musikgeschichte München, 2.-4. August 2004, hrsg. von Theodor Göllner und Bernhold Schmid unter Mitarbeit von Severin Putz. Bayer. Akademie der Wissenschaften, Phil.-hist. Kl., Abhandlungen, NF, Heft 128, München 2006. (PDF)

See Publicationserver